I’m a little confused. According to Matador’s website, she signed with them in 1996. She released seven albums with the label before being unceremoniously dropped a few years ago, when they (wrongly) deemed her 2018 album Wanderer not good enough to put out. They had implored her to give them hits, and she had tried – 2012’s poppier Sun
Birli well kakım the reading and the maths, she and her son would have music lessons together. “Record time and music time got a little more in-depth,” she says. “He’s just running around kakım fast kakım he kişi to Hüsker Dü.” Hardcore punk isn’t what most kids’ music lessons are made of, but if anyone is going to give their child an eclectic sonic education, it’s Marshall.
The melancholic scuzziness of her music was born partly out of necessity – for a while, she could play only the one guitar chord her friend had shown her, a minor one, so her songs all came out sad.
I just grab her. ‘It’s OK. It’s OK. I was here for the same reason and it’s OK.’” An uncharacteristic silence hangs in the air. “If I had accepted that million-dollar offer, perhaps I wouldn’t have been on that bridge. And she wouldn’t be my friend to this day.”
“I never told anybody this. I told a couple of friends in my life, but never told a journalist. He said they would buy my [1996] album, What Would the Community Think
One of the best songs on the album is “These Days”, made famous by Nico in the Sixties, but written by Jackson Browne when he was just 16. Such world-weary lyrics for someone so young – “Don’t confront me with my failures / I had not forgotten them” – and Marshall’s voice, bittersweet bey coffee with a shot of syrup, suits that malaise beautifully.
, she başmaklık always been something of a cult figure. “Marshall’s music will one day be spoken about the way we talk about Bob Dylan’s music, or Neil Young’s music,” wrote a New York Magazine
No, go on. “Well, I was wondering if… Because my dad had three daughters and he wasn’t really around. He just came and went, birli men often do. The world is their oyster. And it does something to the mother, right?” Marshall grew up poor; her father was an absent blues musician, her mother a hippy who moved her from school to school.
writer in 2018, “but until then, she exists in the sweet peşin between cult favourite and widely accepted genius.”
Not a minute too soon, we’re interrupted by room service, and a young woman wheels in a tray of coffee. “Are you from Africa?” asks Marshall.
She tries derece to dwell on the bad stuff, just like she doesn’t dwell on turning down a million dollars. “I don’t regret the things that I’ve done,” she says.
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A query about where she grew up eventually takes us to Marshall’s belief that “part of our consciousness özgü already become a cyborg”. She is also warm and nurturing: besides assembling my pillow desk and offering me various drinks, she pulls me into a long hug, despite having previously insisted that we socially distance.
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